Monday, January 6, 2025

My Music Journal 2025 - January, 6, 2025

 



Monday, January 6, 2025

Time: 5:17 PM
Song: Ants Marching  
Artist: The Dave Matthews Band
Mode of Consumption: MP3 – Drive home from work listening to MP3s on shuffle from my phone.


Link to song: https://open.spotify.com/track/2FfZg072w8RoxlMOR7M4CT?si=6a35db6d52394d29


There’s an episode of the sitcom “Community,” which spoofs David Fincher thriller movies when the study group is working to save Greendale from the exploits of the “Ass-Crack Bandit,” an anonymous deviant who is terrorizing the campus by dropping quarters down the backside of unsuspecting bent over students and faculty. One of the few clues is that the perpetrator is a fan of Dave – that being The Dave Matthews Band. 

When Alex “Starburns” Osborne, a middle-aged student/drug dealer surfaces after it was assumed he had previously died in a car accident, he is collared as the bandit and the campus celebrates with a party. While lights flash, the music plays and, of course, it’s Dave.

“Wait, who is this?” Starburns asks. 

“Wait, what?” Jeff Winger, the leader of the study group and a former lawyer, responds. “You don’t know Dave.” 

Winger, of course, knows that they’ve been duped into believing that Starburns in the culprit, a classic plot twist. 

“Oh, yeah, I remember this,” Starburns said. “It’s from the 90s, it’s that guy that goes HE-Haw, He-HAAW.” 

I can’t hear Dave Matthews without hearing that impression of his singing. 

I received the album “Under the Table and Dreaming” in high school from my sister for my birthday. She chose it because it was the Matthews’ album that she most connected with. I’ve kept the CD, and while I enjoy this track and a few others, I’ve never grown into a huge Dave Matthews fan. 

Still, I hold onto this album, because I think I look for what my sister heard in it. That is the great part of receiving music from others, particularly albums and artists that I haven’t necessarily requested. I know there’s a reason they picked it. It’s my challenge to hear what they hear.

My Music Journal 2025 - January 5, 2025

 


Sunday, January 5, 2025

Time: 7:45 AM
Song: Ain’t No Rest for the Wicked 
Artist: Cage the Elephant
Mode of Consumption: Radio – Planet 93.9 FM on the way to church.

Song link: https://open.spotify.com/track/3Pzh926pXggbMe2ZpXyMV7?si=fbd2fbf10b624413

I’m riding passenger in our dark blue Ford F150 on a gray morning. I punch the button the dash that identifies songs being played on the radio.

“It’s Cage the Elephant,” Jodi said.

I’m not sure I even cared, I just like pushing the button and seeing the answer. It passes the time during our 10-minute trip to church.

My father-in-law once talked about having to learn that the church was also a business. He was on the church council for most of the last three decades of his life, holding the title of council president for many of those years in both official and unofficial capacities. The life of the congregation may be dependent upon the holy spirit, but it’s also reliant upon those willing to keep the books, to arrange contractors for maintenance of the building, mow the grass, print the bulletins, hire pastors, perform public relations, and so on and so forth.

I’m in my second year as treasurer for the church, a position I am not particularly interested in nor suited for, but which was bequeathed to me as there really isn’t anyone else left to do it. It really blows my mind when I think about how much I used to goof off in church during my youth, and now I balance the checkbook for the place. Lord, help us.

We go to a country church that once had weekly attendance over a hundred people in the seventies and eighties, but has been in steady decline since the 90s. We could write a novel on the reasons – Socio-economnic, political, religious shifts, and likely a few contentious decisions made by various folks that were put in charge of the “business” side of the church at various times.

We’re left with an average attendance in the teens with average age of congregates in the 70s. Jodi and I are the youngest of the regular attendees, and unless something changes, we’ll oversee the last days of this 150-year-old congregation.

That will be sad business. Sometimes it’s easier to just punch the button on the dash and see what song the radio station is playing than think about it.

Saturday, January 4, 2025

My 2025 Music Journal - Saturday, January 4, 2025



Time: 12:49 PM

Song: Ho Hey  
Artist: The Lumineers
Mode of Consumption: Radio – Sky 95.7 FM.

Song link: https://open.spotify.com/track/0DwClY2t9YAWHBROMIgrXb?si=f490b15df20244f6

A Saturday morning in January. 

7 AM – I eat a bowl of Cinnamon Toast Crunch and a banana. I take six pills. The digital numbers on the thermometer read 14 degrees outdoors. 

8 AM – Dressing. One pair of ankles socks, one pair of athletic socks, one pair of thick, heavy socks. Underwear. Long Underwear. Jeans. T-Shirt. Thermal shirt. Hooded shirt. Overalls. Boots. 

8:05 AM – Outdoors. No wind. Sun. Crisp. Begin taking down outdoor Christmas lights and decorations. 

9:30 AM – Stop to pet our dog, Millie. We are on the deck, she’s sitting near me on the patio, the sun hitting us both. Her rear end curls as I rub her down. That’s a good dog. That’s a good man. 

10:45 AM – I break a plastic stake holding a string of candy-cane lights. The bottom half is frozen in the ground. 

11:45 AM – I’m finished. Lights and decorations taken down, stored in the garden shed for next year. Except for the remaining half stake for the candy cane decoration. That’s in the ground. Will have to get that whenever there’s a thaw. I wonder if glue will hold it together. 

Noon – Jodi is finishing with the inside decorations. I sweep the kitchen and dining room floors. There’s a pile of plastic needles from our fake Christmas trees. Does that make them more real or less? The radio plays and I consider songs I hear for my journal entry. 

12:25 PM – A load of towels finish drying before we make a small lunch. We hug the warm towels before folding them and putting them away. 

12:35 PM – Eating. Salad. Ham sandwich. Cookie. 

12:49 PM – “Ho Hey” plays as my hands sink into dishwater, and I think I’ll use that song. There’s something utilitarian about it despite its pop sensibilities. 

Friday, January 3, 2025

My Music Journal 2025 - Friday, January 3, 2025

 

Friday, January 3, 2025

Time: 7:40 AM
Song: All I Wanna Do
Artist: Sheryl Crow
Mode of Consumption: MP3 – Drive to wo
rk listening to MP3s on shuffle from my phone.

Song link: https://open.spotify.com/track/3ZpQiJ78LKINrW9SQTgbXd?si=b2d84790d7944077

When this song was released in the summer of 1993, Bill Clinton was in the first year of his first term as President, and I was 11 years old. It’s strange how the young mind works, but when Sheryl Crow sang about the man at the bar at noon on a Tuesday with the name of William, who probably goes by Bill or Billy or Mac or Buddy, I envisioned President Clinton.

It’s still what I think about when the song plays, and in some alternate timeline in a parallel universe, it’s entirely plausible to envision an alternate version of Bill Clinton, having forgone politics for a run at Hollywood stardom or something, day drinking in a bar in LA and trying to pick up women.

Can’t you see the dingy bar on a dusty LA street? A woman crosses the threshold, the sun behind her back, shining through her blonde locks. At the bar sits a graying forty something male in a polo shirt that billows noticeably at the stomach with a half empty brown bottle in front of him, the label peeled away in pieces and scattered on the bar top and floor.

The woman selects a stool a few feet away. Orders a drink from a sleepy bartender who waits tables at another juke joint down the street in the evenings.

“All I wanna do is have a little fun before I die,” William or Bill or Billy or Mac or Buddy says. It seems like an innocent enough statement, but she suspects his notion of fun is sexual. Too bad he is ugly, she thinks, because maybe she was hoping for some “fun,” too.

He has a hint of a southern accent, but he hides it well when sober. Another beer or two later, he reveals in a thick drawl that his middle name is Jefferson, and she’ll have to guess which historical figure that references. He lights matches, watching them burn, grinning more and more as the flames near his finger.

He does have a certain charm, she thinks, and will probably later regret it.

She orders another Bud.


Thursday, January 2, 2025

My Music Journal 2025 - January 2, 2025

 


Approximately 9 AM.
Song: Sadness As A Gift
Artist: Adrianne Lenker
Mode of consumption: Spotify playlist for 2024

Song link: https://open.spotify.com/track/1UpXhetX1s5OXTY5fRjWvu?si=16200879d5cf4e10

First day of work of the New Year. Come in, change the calendar on the door, the one where I mark each day off with a blue X as they pass. Marking time. I’ve done the same thing since late 2015.

I fill in dates for work conferences on the calendar. One in Springfield in February. One in Ames in March. A trivia night on January 23. Most of them remain blank. The 2024 calendar with its bevy of notes and “Xs” is waded into the garbage can under my desk.

As I navigate through emails, I listen to a playlist of songs released in 2024 that I curated over the year. A Facebook group I started called “Playlist Pandemonium” is compiling songs this week for favorite tunes from 2024. I needed to get my choices in.

The fifty-seventh and final song on the list is “Sadness As A Gift,” by Adrianne Lenker. I didn’t remember adding this song, and I do not know anything about the artist, but the title catches my attention.

Our 2024 began with us stinging from the death of Jodi’s father, Lee, in late November. When I met with a friend early in 2024, I described our existence as “putting one foot in front of another living.”

Sadness is a sapping emotion, absorbing motivation, inspiration, hope, draining the colors of life sometimes for a second, others a minute, maybe an hour here, or an afternoon there. Who could forget the entire black-and-white dreary February days?

A few days before Christmas, one of our horses, a 26-year-old quarter horse named C.J. with brown fur, and a light-brown mane and tail, laid down in our back shed. Did you know horses are on their feet about 23 hours a day?  They lock their legs while standing and do most of their sleeping that way. They usually only spend a few minutes on the ground at a time.
C.J. had battled several nagging health issues, including issues with her back legs. We found her about 11 AM and worked for three hours trying to coax her back to her feet, but to no avail. The vet was called, and the decision was made. The horse lifted its head toward me, her eyes met mine and her mouth formed a goofy, toothy grin, the sort of look that seemed to hide a good joke.

It’s hard to consider sadness a gift.

But that look from that horse was a gift. As heartbreaking as it was, it made me smile. And that’s the gift. Sadness drains everything out, but when joy and beauty and hope reappear, they flood back all the richer, saturating our cells thoroughly, just like when we were kids, and every feeling was new.


My Music Journal 2025 - January 1, 2025

 


For 2025, I will be journaling a song a day that I hear. The plan is to not plan on what these songs will be, just tunes I encounter through living that provoke some sort of thought, emotion, whatever to make it worth noting.

Wednesday, January 1, 2025 – Approximately 6 p.m.

https://open.spotify.com/track/43G3McVkRa8V7oGQzfQuRr?si=a73f343a120d46e7

Song: Let’s Go
Artist: The Cars
Mode of consumption: Vinyl LP first song on album Candy-O

Jodi sits down to our dining room table as this song hits its chorus, “I like the nightlife, baby. She says.”

I joke that Jodi resembles this song.

“Oh yeah, I’m all about the nightlife.”

We’ve been married since 2008, we’re in our forties, and we’ve known each other since the beginning of time. At least since the beginning of time as far as two children of the 80s are concerned. We’ve probably had similar conversations concerning lyrics from a hundred other songs over the years. We’re not “nightlife” people. Me, not since leaving the newspaper industry over nine years earlier, and her, never.

The album cover features an orange-haired woman in a translucent black leotard and black high heels sprawled across the hood of a line-art image of a car. It’s provocative, and among album art and popular music enthusiasts, considered iconic.

The album comes from a lot I bought in the summer of 2024. We are screening albums regularly to decide what to keep and what to resell. We have a couple other Cars albums, and while this one is solid, our decision comes down to whether we like the album art enough to make it a keeper. I don’t know if that makes us snobbish or shallow, but I have somewhere around 500 albums in my current collection and storage space is a plausible concern.

“Maybe this will be the album that’s worth a million,” Jodi says later.

“It might get to the point where they all add up to the million,” I answer, putting the album in the for-sale pile.

Wednesday, November 20, 2024

Write On Prompt - We Don't Start Until 9

 




Note: We've been studying and discussing personal essays the last couple months at Write On. Last night we had our first Writing Workout session, where we each spent some time on first drafts of essays. I have always wanted to do an essay or maybe even a book on the different work environments I've experienced. I want to ground these experiences in the history of the business or industry, as way to expand the relevance. This is a start of a segmented essay about my time spent at a local factory. 


Illinois Route 2 runs north to south hugging the Rock River in central northern Illinois from its origin in Sterling then running northeast to Dixon and Oregon and Byron to Rockford before shooting straight north to the Wisconsin border. Between Sterling and Dixon is a four-lane, 12-mile stretch, featuring a golf course, crop land, a community college, a trailer park, and a smattering of houses and subdivisions. I meet this stretch each morning just south of Dixon at the crest of hill where the speed limit descends from 65 to 40 and finally 30 within city limits.

One morning recently, while on the way to my current gig in my orange Jeep Renegade with some rock and roll song blaring, the mangled remains of a deer appeared in the median, likely struck the previous night by some vehicle still cruising near the high end of the speed limits. There were probably excited calls made by the driver, to family, maybe to the police, or a wrecker, to their insurance agent. Maybe the car was drivable. Maybe not. Life for that person was temporarily complicated.

Life for that deer was smacked from its body. Its limbs were strewn like the discarded toys of some toddler atop a torso twisted like a broken slinky. Its blood splattered, turning the blacktop into some sort of bleak tapestry.

And I thought of two deer from almost twenty years earlier. A doe and her fawn, wandering across the back of the parking lot at National Manufacturing at one in the morning. Their sleek bodies propped on those twig legs. The mother leading, her head swiveling back every few moments to make sure her offspring was following close enough.

I was on break – from college for the summer and from work as part of the third shift replenishing crew for the shipping department of the hardware manufacturer. There were five or six of us on the crew, including my best friend, Jake. We were sitting on the tailgates of our pickup trucks, like a country song, eating snacks and maybe mumbling about things that no longer matter.

I was nineteen, filled with angst and hormones and caffeine, watching the most basic of instincts enacted across the lot. Animals moving under the orange glare of parking lot lights, when most humans were asleep. Searching for food, for water, for shelter. A mother watching over her child. A child tethered to its parent, grasping tightly while reaching away. I don’t remember anything else that was running between my ears. I just knew I’d remember that moment. A man at rest watching the natural movements of nature.

After passing the destroyed body of the deer twenty years later, I wondered if that animal was a descendant of those two. It’s not even 10 miles as the crow flies from National parking lot along Route 30 east of Rock Falls to that place on Route 2 south of Dixon. Certainly, deer herds travel that far, and they are territorial enough, that it’s possible that the deer which met such a violent end shared a strand or two of DNA with the two from that serene memory of mine.

It’s a twenty-plus year gap between these episodes of creation and destruction. Twenty years and half of a lifetime.

***

National Manufacturing was born in October of 1901, when three men bought a two-story wagon factory in Sterling. By the end of the month they had named their business, one that would remain in the area known as the Sauk Valley for 110 years.

In 1901, the United States was comprised of about 76 million people, and the world’s population was 1.6 billion. The country was reeling from the assassination of President William McKinley in September. He was the third president killed in office since the end of the Civil War, and with his death, the secret service was born and Teddy Roosevelt assumed power.

Workers across the country were fighting for better pay. Women wanted to vote. And nobody knew that in the forty years to follow there would be two world wars sandwiched around a crippling economic depression.

***

I wasn’t even a week out of high school when I shuffled bleary-eyed at 6 AM for my first shift as part of the 100th anniversary paint crew in the Summer of 2000. I likely wore jeans, some T-shirt, and a pair of steel-toed work boots.

Jake’s mom worked in the accounting department at National, and that’s how we landed the gig, which paid pretty well for a couple of eighteen-year-old kids. Never hurts to know someone. It’s probably why we were also assigned together to paint the waste treatment tanks first at the Sterling plant and then the Rock Falls plant. Sterling and Rock Falls are twin cities separated by the Rock River and during the 1900s became one of the major steel producers in the country. That’s over now, of course, gone the way of two-story wagon factories, thriving family-owned businesses, and William McKinley.

The waste treatment plant in Sterling was separated from the production plant by a row of parking and a lane to get in and out. The treatment plant was located along a river.

We clocked in just inside the production plant and met our first supervisor there. His name was Chris, a middle-aged man who carried a Chicago Tribune under his arm and a frown on his face. He led us toward the treatment plant, stopping at a bench just outside of the building where two men were sitting. The interaction was brief, and I can’t picture what either man looked like, but I remember what happened.

One man stood up, dangling something from his hand. A snack maybe. Or perhaps a cigarette, and he introduced the man next to him in this way.

“This is the resident fag,” he said. Then he threw whatever was in his hand several feet away, and told the man to go get it. The other man did, his shoulders slumped as he slinked toward it like a trained dog. “Just look at him.”

Chris rolled his eyes, and we kept moving.

The waste treatment building was a metal shed with huge green tanks with metal stairs and cat walks running between them. Chris continued past them, between two tanks on the ground level that led to his office, which consisted of a desk with a light and a window that looked over the river. He dropped into his seat, handing each of us a section of the newspaper.

“We don’t do anything out here until after 9.”

Within ten minutes, we witnessed pretty much everything we were told not to do by Human Resources at our orientation.

 


 


2026 Writing Challenge: Gotta Have It!

  Note: Well, I haven't been keeping up with my 2026 Writing Challenge, but I promise I will keep trying/writing. Last night, Write On -...