Tuesday, August 2, 2022

Try-It Tuesday (8-2-22): The Country by Tennessee Jet

 


Note: On Tuesdays I will be reviewing albums that are new or at least new to me.

Album Released: 2020

About Tennessee Jet: It’s the stage name for singer/songwriter TJ McFarland – note he was raised in Oklahoma.



Members: Just McFarland, although Dwight Yoakam’s touring band play a prominent role on this album.

What I Know: Nothing. Never heard of this fellow, but it came up on Spotify and thought I’d give it a go.

Did You Know? Tennessee Jet’s parents were rodeo performers. …His musical idols are The White Stripes and Kurt Cobain. … This is his third album.

Why this album: See What I Know.

My thoughts on The Country: This has the feel of an alternative country album in the vein of Uncle Tupelo and Son Volt, as it blends old-time country, folk, and rock ‘n roll. It was his goal to showcase the range of country on this album. I hear a little of Steve Earle in his voice.

  • The opening tune “Stray Dogs” is a borderline rocker with a nice hook. It’s the most listened to original tune on the album.
  • The second tune, “The Raven & the Dove,” has some classic steel guitar and some solid harmonica.
  • “Johnny” is the third track, and it is a tribute to Johnny Horton. It features some heavy rock-influenced guitar and drumlines.
  • The first of two covers is fourth with Townes Van Zandt’s “Pancho & Lefty.” He gets help on this one from Cody Jinks, Paul Cauthen and Elizabeth Cook, and some nice horns. Just a great song, and a nice take on it.
  • “Off to War” is a slower, statement song, followed by a honky-tonk type of tune in “Hands on You.” He then swings into a ballad for a country dance in “Someone to You.”
  • The title track delivers the message of the album with the line: “I miss you like the country, radio don’t play anymore.” This is an ode to what should be on country radio rather than the pop drivel country that pollutes the airwaves. This tune is a straightforward acoustic song with vocals, and it’s well done.
  • The second cover is the ninth of ten songs in the Black Crowes’ “She Talks to Angels,” and he gives it a bluegrass sound. It’s an interesting take, with banjo, violin, and solid backing female vocals.

The Wrap: I like the experiment of purposefully taking a tour of the various sounds of country music. If you like off-the-beaten path country, this is one for you to check out. If you want songs about drinking and summer and girls in jean shorts, it’s probably not for you.

You’re Up: Let me know your thoughts on this album, or anything new to you that you are listening to this week.

Tuesday, July 26, 2022

Try-It Tuesday (7-26-22): Misadventures of Doomscroller by Dawes

 


Note: On Tuesdays I will be reviewing albums that are new or at least new to me.

Album Released: 2022

About Dawes: Formed in 2009 from the remnants of the post-punk band Simon Dawes after co-songwriter Blake Mills left the band. From then on, they have been a folk-rock band.



Members: Taylor Goldsmith (lead vocals, guitar), Griffin Goldsmith (drums), Wylie Gelber (bass) and Lee Pardini (Keyboards)

What I Know: I first got into Dawes when I stumbled upon the song, “A Little Bit of Everything” in early 2010s. I’ve grown found of several other songs including: All Your Favorite Bands, When My Time Comes, and Things Happen. They were also the opening act at the Outlaw Festival (headlined by Willie Nelson) that Jodi and I attended in 2019. They put together an entertaining, tight 30-minute set that day.

Did You Know?: “Doomscrolling” is the action of continually scrolling through and reading depressing or worrying content on a social media or news site, especially on a phone… Taylor Goldsmith is married to actor/singer Mandy Moore.

Why this album: Well, I do know Dawes, but I figured what are the odds that I could start this weekly feature with two albums with opening songs that reference doomscrolling. Not only that, but long opening songs that reference doomscrolling. If you missed, last week I reviewed Metric’s “Formentera” album with an opening song entitled “Doomscroller” that was 10-minutes, 28 seconds long. This week’s opening song “Someone Else’s CafĂ©/Doomscroller tries to Relax” clocks in at 9:26.

My thoughts on Misadventures of Doomscroller: This a seven-song album with six of those songs going over the 5:30 mark, and it is bookended by songs over nine minutes long.

  • The percussion and guitars are highlights for me in the nine-minute opening track which seems to be a commentary on poisonous nature of social media.
  • The lyrics in the second discuss how oceans, electricity, spirituality, and the future all come in waves, hence the chorus and song title “Comes in Waves.” I like the thought and writing; the instrumentation is solid.
  • The third tune “Everything is Permanent” clocks in at 8:43 and delves into the permanency of modern life and technology. The song ends with the repeated lines of “Did you really need to cry or be seen crying.” It’s a thoughtful line about how so much of our behavior is performance in the age of constant sharing.
  •  The next two songs “Ghost in the Machine” and “Joke in There Somewhere” continue the theme of modern pressures.
  • The sixth song is an instrumental entitled “Joke In There Somewhere – Outro.” At 1:37, it feels unnecessary.
  • The album ends with the nine-minute “Sound That No One Made/Doomscroller Sunrise” and tries to tie together the entire concept of the album about the decaying of bodies, spirit, and life.

The Wrap: I’m not sure people turn to Dawes for long songs and instrumentation. There are certainly highlights and it’s worth a listen. I wish the vocal tones were a little more varied, as Goldsmith seems smitten with a higher tone than in some of their earlier releases. I guess I am a sucker for a single or two, and that’s what is missing on this album for me.

You’re Up: Let me know your thoughts on this album, or anything new to you that you are listening to this week.

Tuesday, July 19, 2022

Try-It Tuesday (7-19-2022) – Formentera by Metric

 



Notes: On Tuesday’s, if time allow, I am going review a new album (at least an album new to me).

Album Released: 2022

About Metric: A Canadian Rock band founded in 1998 in Toronto, Ontario. “Formentera” is the band’s eighth full-length album.

Members: Emily Haines (Lead Vocals, synth, guitar, tambourine, harmonica, piano), James Shaw (Guitar, synth, theremin, backing vocals), Joshua Winstead (Bass, synth, backing vocals), and Joules Scott-Key (Drums, percussion).

What I know: Coming into this one, I knew of only one Metric song called “Gimme Sympathy” which asks the timeless question: “Would you rather be the Beatles or the Rolling Stones?” As it turns out, they are neither, more a band that sounds a bit of a cross of the Smashing Pumpkins or Silversun Pickups with a techno band.

Did you know?: Formentera is the smallest and most southerly island of the Pityusic Islands group which belongs to the Balearic Islands autonomous community (Spain). The word is derived from the Latin word frumentarium meaning “granary.”

My thoughts on Formentera: The album starts boldly with a 10-minute, 28-second song entitled “Doomscroller.” The song starts heavy with the synth and plods a bit, but the last three- or four-minutes cuts away a bit of the techno overtones with chilling vocals and striking piano. It’s followed by the most-played song on the album on Spotify in “All Comes Crashing.” It has the hooks one expects from a single with solid vocals. It’s driving beat and repetition with lyrics is repeated in the next tune, “What Feels Like Eternity.” The title track comes next and clocks in at 6:17, and it combines the synth beats with a nice string section, fitting closer with the album opener more than the previous two tracks.  I don’t know how the songs were released on this album, but the first three songs have listens ranging from 604,499 to 2,763,202, but the last half of the album has a high of 392,006 with “False Dichotomy” (a focused, catchy pop song) while the rest are lingering at 115,000. There are some nice points in all those songs, but I am not sure any does enough sonically to sound much different from any other song on the album.

The Wrap: It’s an album worth checking out, and one I would listen to again. I wish they’d ditch the synths more often and alter the beats to provide more individuality to the songs.

You’re up: Let me know your thoughts on this album, or anything new to you that you are listening to this week.

Tuesday, July 5, 2022

My 2 Cents: Game of Thrones

 


Jodi and I tend to trail behind popular culture by about five years. I could go on about that, and maybe someday I will, but just trust that it’s the truth as a lead-in to this post. About five years after most of the rest of the world, we finished watching Game of Thrones on Monday night. Before I dive into the point of this post, I want to make a few things clear:

  1. I have read the books. Jodi has not. I will say that when I started reading the first book, I was near a point of giving up on the fantasy genre. I had read a few of the Robert Jordan “Wheel of Time” books with great frustration. I found Jordan’s writing derivative, he had a penchant for long blocks of retelling of previous books, and each book felt like a level of a video game – you know, beat the boss to advance to the next level and the next boss.  I will admit that I didn’t really feel much better about Game of Thrones until reaching the conclusion of the first book and the beheading of Ned Stark. In the fantasy genre, main characters never die, and it had felt like Ned Stark was going to be the lynchpin of the series. With his death, it changed the tone. This truly was a “Game of Thrones” where you either “Win or you die.” By the conclusion of the books that are written, I was starting to worry about a couple things:
    • Much like professional wrestling fans in the late 1990s, I found myself looking toward the aisle instead of watching the action in the ring to try and see what surprise was coming next. The problem with that is that there is a law diminishing returns with such booking. Sooner or later because you don’t care about what’s in front of you, you stop caring about what happens to anyone. The surprise from behind the curtain will never then live up to expectation.
    •  I was becoming convinced that it was unlikely with such a grand scope that the conclusion of this series was going to be wholly satisfactory. Its charm was its immensity and once all these characters and plots collided, I worried we might find that the pieces didn’t really all fit together.
  2.  I am not going to spend a lot of time discussing the gripes most people had with the conclusion of the show. Mostly I’m fine with it (see above, I suspected it wouldn’t all fit perfectly together). Was the last season rushed? Yes. Why did Daenerys go mad? Not entirely sure – grief, lust for power, just in the Targaryen blood. All of the above? Was Bran the right pick as king? I don’t know, probably as good a choice as anyone. The lesson was that wanting power is evil.

Since this is a writing blog, I wanted highlight things I’ve considered about this series.

Character Development

The strength of Game of Thrones is development of numerous complex characters. Jamie Lannister pushes a child out of a window to hide his affair with his twin sister, yet by midway through the series you want to root for him. Tyrion Lannister is a quick-witted drunken dwarf, who also happens to be idealistic and a romantic. Brienne of Tarth is a hulking brute who is so guarded because of the cruelty she’s faced her entire life. Theon Greyjoy has confused loyalties, does terrible things in hopes to win his father’s approval, endures torture and emasculation, and struggles to find redemption. These are only a few of the characters we meet, love, and lose along the way.

The lesson for a writer is that almost no one is perfectly good or completely evil. Crafting character isn’t just about providing physical details and dialogue. It’s creating nuances in personality, building sympathy and/or contempt, and developing all these traits through plot. 

The World

Like Tolkien before him, George R.R. Martin creates an elaborate world with a rich history that plays a major role in the events taking place on the pages and screen. From the Targaryen’s conquest of Westeros to the building of the great wall in the North to many other major and minor events that are detailed in the books and hinted at in show. For example, “The Rains of Castamere” is a song about the slaughter of House Reyne by Tywin Lannister. It’s a grim tale and one that highlights Tywin’s cunning and ruthlessness. The band begins to play this song after the wedding of Edmure Tully and Roslin Frey, which Catelyn Stark recognizes and immediately knows that she and her son, Robb, are in trouble.

I admire fantasy writers who can develop such rich and poignant history. The trick is to do it without losing the forward motion of the story you’re telling. I can’t claim that I have that ability, but if I ever write a fantasy story, it’s something I’ll have to consider.

The Magic Balancing Act

Okay, the dragons are cool. The magic that brought them back sort of vague, but they serve a purpose in the story. Melisandre seems to have some magic, but her abilities seem to wax and wane at times. She serves the Lord of Light but births a shadow of death. Sort of confusing. The faceless men – still not sure I get that. Bran is the Three-Eyed Raven, which I guess means he can see the past and the present and maybe the future. Maybe he’ll live a long time if he lives in the roots of a tree. And, boy, the Night King wants him dead, even though it seems like the Night King could have done just that since the last Three-Eyed Raven was north of the wall for a long time with minimal protection and wrapped up in the roots of a tree. The reality is that Bran’s ability is a way to fill in gaps to the reader/viewer. It’s a plot device, so you must accept some head scratching parts. The Night King – so I like the story of everyone coming together to defeat this guy – but isn’t it really the story of beating Sauron or insert every other totally evil wizard in the fantasy realm. It made for great theater, but the character itself is flat, his motivation kind of narrow, and then there’s only one way that he can lose, and he allows himself to be fooled into exposing that weakness (himself). You know, like Sauron tied himself to a ring that could be destroyed. The Night King just needs to stay five miles from the battle, and his side wins. The more I think about the end of the series, I sometimes wonder if the entire Night King scenario just didn’t quite fit into this otherwise political story.

I guess what I am saying is that magic is something that is part of fantasy, but it’s often a tricky thing, and I am not sure it’s a strength for George R.R. Martin. Oftentimes writers use magic to get out of corners. Can’t beat a villain, develop a magic scheme that makes it possible. The problem is that magic often also blows holes in plotlines. I mean, if Gandalf can call the eagles, why don’t they just fly the damn eagles to Mordor and drop the ring in Mount Doom? Well, it’d be a shitty story if they did, for one thing. The other is that writers should brush lightly but precisely when it comes to magic.

Well, that’s what I have to say. Let me know your thoughts on Game of Thrones, and thanks for reading.

Wednesday, June 22, 2022

Write-On Prompt: Summer Solstice Walk

 Note: Tuesday night was prompt night at the Write-On Writing Group. The prompts were all related to summer or summer activities. I ended up veering a bit off those and writing something centered around the solstice. I think there's some interesting parts here. If I were to decide to build on this, I'd probably spend some time learning more about the solstice, solstice rituals, witchcraft, aging, and develop the characters of Gareth, Hector and Olivia more. Let me know what you think, if you feel so inclined. 




Dawn

A younger man might have been described as folded neatly under the canopy of a dull purple sky. Gareth wasn’t a younger man, though, and he resembled more a pile of bones stacked next to a ring of perfectly round stones with a dying fire in the middle. His left eye was blind, something he was used to by now, most of his teeth were gone, and the few hairs still scattered on his pocked-skin dome were wiry gray tangles. His back was to the rising sun, his mind slogged in ages of fog, and his heartbeat softly and slowly in an uneven rhythm. Tap. Tap…Tap…Tap.Tap…..Tap.

He couldn’t count the number of solstices he had walked anymore. A hundred. A thousand. He used to know. Kept a ledger, a diary, if you will, of all these years, all these lifetimes, but eventually the pages weren’t filled and his desire for knowing nil.

When Gareth was a young man, a real young man, not the kind he’ll be in twelve hours, his father said. “A boy, who make a vow is foolish. A boy, who keeps a vow is a man.”

Behind him the sun’s first strokes of brilliance penetrated the horizon, a few birds began a simple, old tune, and the longest day started. Gareth’s duty was to walk. His knees popped; his bones were no more than slightly bonded particles of dust, and his skin sagged like thin bread dough from his ill-suited, decaying frame.

He shuffled forward, his heels and toes barely leaving the dust.

Three hours later

A bus motored past on his right, kicking up stones and dirt, and Gareth raised a finger, not caring if it was a bus was filled with prepubescent kids. Likely they’d seen and heard worse from their idiot mothers and fathers at the dinner table. Gareth considered biting his thumb, but he figured that Shakespearean gesture would be lost on this generation. That gesture had been lost on many when Shakespeare was putting on his little plays with all their nasty barbs at critics, ex-lovers, and royalty hidden in his iambic pentameter lines. Gods, what a snot that man had been.

“Give me, Elliot, any day,” Gareth said. “I’ll show you fear in a handful of dust,” that’s some real shit. “To be or not to be?” Cripes. Make a choice, and live with it. I sure did.”

“What did that cost you?” Olivia’s voice echoed from somewhere.

His strides were better now, he could see from both eyes, and the sun was draped on his pointed shoulders. His knees and hips hurt from walking, but not as bad as when he started. His heart was more dependable, not quite a Ringo Starr sturdy beat, but you could sing a tune to it, sort of.

The bus went over the rise, the kids were probably still tittering about getting flicked off by some crazy old guy on the side of the road. He was happy to give them something to talk about.

High Noon

“You there,” the police officer waved him to approach the cruiser.

“I have to keep going,” Gareth said.

The officer’s belly spilled over his belt, and he probably wanted to avoid vacating his seat. The officer sidled the cruiser along the curb, his foot ever so gently on the pedal to keep pace with Gareth, who was booking along at a pretty good clip.

“You come from out of town?” The officer asked, pointed back toward the direction Gareth had come.

“Yes.”

“You see another fella in a robe like yours?” The officer asked. “Maybe twenty years older, scraggy gray beard, bald on top, kind of stooped over? Heard he was being obscene toward some kids.”

“No,” Gareth wasn’t lying, after all, he had seen no one else in a robe. “It’s just been me.”

The officer was perplexed, but also didn’t seem all that interested in pursuing the matter anymore. Kids made up stories, after all. He pulled away from the curb. Gareth remembered when the law had been more brutal, not necessarily more effective, but they sure did pursue things with more vigor. Hector Alaster, for instance. He wouldn’t let that thing with Olivia go. Claimed she was a witch. If Hector had galloped off that morning on the road to town instead of confronting her, Gareth wouldn’t be here now, alive, and walking back time.

He passed a store window for a grocery; his reflection didn’t even cause him to stop. His back wasn’t stooped. His once bald dome was covered with a light brown hair, and his skin was taut and a healthy bronze.

“Fear in a handful of dust,” Gareth muttered.

Midafternoon

Gareth had lain with many women since Olivia, growing younger on the solstice every year brought urges that he could not repel for millennium nor satisfy with his hand forever, but none of them had been like her. When they made love, there were no such things as fireworks or even explosions other than thunder. The strongest spark in their village was sparks from campfire. The lovemaking between Gareth and Olivia had filled the night sky with dancing sparks, so bright that it caught the attention of a certain, jealous nobleman’s son.

Gareth was out of city limits again, along a stony backroad that cut between two fields, and he was about thirty years old. At times, he broke into jogs, enjoying the limberness of his joints and the strength of his muscles again.

They had run down a similar road, he and Olivia, when they were children, shouting and jumping. Olivia’s voice was higher, almost like the birds, and the beasts of the field always took notice of her. The worst beast was Hector Alaster.

“If he ever touches you, I’ll kill him,” Gareth said that night before the solstice all those many generations ago.

“You’ll do no such thing,” Olivia said.

“I will.”

“You won’t, promise me.”

Gareth stared into her green eyes, her red hair spilling down to her naked shoulders. He couldn’t disagree with her long.

“Fine, I promise.”

“Not good, enough. Vow, you’ll not touch Hector, or you’ll walk a million summer solstices on this earth without me.”

Gareth spoke the vow, not forgetting his father’s words. “A boy, who makes a vow is foolish. A boy, who keeps a vow is a man.”

Evening

The sun was still well above the horizon, and Gareth was nearly that boy of twenty-two again, the one that made a foolish vow the night before the Summer Solstice all those years ago. His heart was more like a John Bonham blitz now, tap.tap.tap.tap.tap. No wonder he’d said such stupid words back then, how could he think over such noise?

He was on an incline toward where his village once stood. This road was old, Hector had caught Olivia on that Solstice morning, walking home after a night in Gareth’s arms. Hector had watched them after all and seen the sparks they sent into the ether. No normal woman could cause such a spectacle. Hector in his jealousy and anger, accused her of witchcraft, took her to his noble father, who was all too happy to tie her to a stake. Gareth was miles away, walking to a pasture to bring in his father’s sheep. He’d offered to walk her home that morning, but she declined. Now, he walked every solstice, hoping to catch her before Hector arrived.

Gareth broke his vow when he found out about what Hector had done, he hunted his rival down, forgetting his vow, and smashed in Hector’s face with a stone. Gareth ran, escaping punishment and mourning his lost love. He still mourns, and he still walks, thinking about all the ways he let her down.

Sunset

Gareth dropped to another set of stones as the sun dropped below the horizon. A young man, twenty-two. He disrobed, his naked body firm and strong under the moon’s light. The aging would begin again soon, two years or so every week until the next Summer Solstice, when he’d walk back his ago once more.

“I vow someday my walk will end,” he said to no one. He had said it before and would say it again. Someday it would be true.


Wednesday, May 25, 2022

Pandemonium Season, Episode 6: Beyond the Sea (1994)



Note: I wrote this quite a while ago and was never really happy with it. In the interest of moving ahead, I am posting it now. Previous episodes are on the blog if you want to remind yourself of what is going on or catchup. Thanks for reading, Dan. 

The freezer was loaded with frozen dinners: meat loaf with mashed potatoes and carrots, chicken nuggets with French fries and green beans, turkey a la king, and cardboard pizzas. The fridge had two gallons of milk, a pack of deli meat, individual cheese slices, a jar of pickles, butter, and something in a Tupperware – the last remains of food brought over after the funeral two weeks earlier. Richie refused to open it because he was sure something was growing inside and even breathing it would send him into convulsions. Richie knew the cupboard had cans of spaghetti and ravioli, macaroni and cheese boxes, and peanut butter. A loaf of bread was on the counter next to a note from his father.

“Out of town for work for week. Be sure to eat.” Below was scribbled a number for a hotel. A Monday night in April, the house was otherwise empty, and Richie couldn’t fathom what to do next. So, he left. Retreating the sidewalk in front of the house and watching his home, as if he stared long enough, he’d uncover some secret. Perhaps, another family inhabited the space when they were gone. A happy family. With a living mother. A sober father, and a son who wasn’t neurotic.

His tics had increased since his mother died. The cleaning. Not just his skin, but the house, was compulsory. He wore gloves everywhere, including at this moment, outside in April. The night air was cool, but not cold, yet his hands were shoved in a pair of skiing gloves. Now there were the cracks in the sidewalk. He couldn’t’ step on those. School was a mental breakdown between each class, as he tip-toed from one tile to another. He supposed the teachers noticed. He knew by the looks from his classmates that they suspected he was cruising for a breakdown. At least out of respect for his grief, they were still leaving him alone.

The worst was the paranoia – he was certain he was being watched. Even alone on the sidewalk in their quiet neighborhood, he felt eyes on him. Studying his every move. Noting his comings and goings, and his impulses. He took nightly walks, but he couldn’t take more than a few steps without glancing over his shoulder, expecting to see a white van with tinted windows following behind. Something straight out of the X-Files. Dr. Bitch would be worried. His father had stopped paying for his counseling, but his grandmother had taken over the payments and his mother’s insistence that he continue with the therapy.

Richie walked the block, watching other families through their dining room windows. The full tables with warm meals, the happy parents, the content children. He was the watcher rather than the watched. Some of them waved, growing used to this lone boy roaming the neighborhood at dusk. He never waved back, instead increasing the pace of his steps and turning his attention completely to avoiding the cracks in the sidewalk.

He returned home after dark, and the phone rang as soon as his key slipped into the slot. Perhaps, his father was checking in to apologize for abandoning him for a week. The notion was so absurd, Richie was glad that even though he was alone that he hadn’t spoken it aloud. It was more likely that it was his grandmother. He rushed to the phone on the kitchen wall, not bothering to turn on any lights. The sound of a needle scratching across a record came from the other end of the receiver and then music with the lyrics: It's far beyond a star. It's near beyond the moon. I know beyond a doubt. My heart will lead me there soon” style"

“I’ve been watching you,” Sarah Arndt’s voice greeted him. It was a calm, precise voice with no humor.

“Yeah, and?”

“Your lonely,” she said. Richie wasn’t sure how to respond, so he listened to her shallow breathing on the other end. “You know pain.”

“I sound like a hoot.”

“No joking,” she said. “Joking is for the weak, and if you were weak, you’d be broken by now.”

“Thank you, I guess.”

“Tell me something about your mother and nothing corny like that fruity pastor was saying at the funeral.”

“She loved Led Zeppelin, and her and my dad met at bar when she picked a bunch of Zeppelin songs in the jukebox.”

Sarah didn’t react to that, and it felt like he had uploaded data into a computer, and it was deciding if the information was valid. It was a dreadful silence, like he was standing with a blindfold and being forced to walk forward with no idea if there would be ground to touch once he took my first step. She was so quiet that he wondered if she had put the receiver down when she lost interest in him.

“I’m going to pick you up tomorrow night at seven,” she finally said.

“Where are we going?”

“Beyond the sea,” she said, but the reference was lost on him. When he didn’t respond, she continued.  “It’s never bothered you to get into a strange vehicle before and take off without knowing where you were going, right?”  She said, and he realized that she was referring to his infamous trip with Grandpa Ricky. Most of his classmates had forgotten about that enough that it was rarely mentioned, although it was never too far away in his mind. While Richie was thinking this over, the line clicked dead.


Wednesday, May 18, 2022

Write-On Prompt: Misspelled Words and a Haunted Mansion

 


Note: We had prompt night last night and it started with a spelling test on ten commonly misspelled words. The prompt became that we had to use five of the ten words in a story about a haunted mansion. I borrowed the location and characters from some previous story attempts on my part and played around a lot with word choice and description. This doesn't have a conclusion, but I thought it was a nice exercise. 

Here are the words I had to choose from: Restaurant, Rhythm, Schedule, Separate, Success, tomorrow, twelfth, vacuum, weird, zoology. I have underlined the ones I used in the text. 

Weird? That’s an understatement. Saying Thunder Lane is weird is like calling the surface of the sun toasty. That might be kinda right, but it doesn’t fit exactly. Spooky? That’s closer, I suppose. It’s a hella spooky street if you happen to be walking down it tomorrow night when the moon is full and the shadows long. Yet, spooky is so childish sounding, like a story told to keep kids from wandering off into the woods. Spooky doesn’t do it justice. Haunted? Perhaps, but there’s a lot left open to interpretation with the word haunted. Like maybe it’s just Casper whispering sweet nothings in the wind rather than the spirit of some tortured soul. No, the only word that fits into place when I think about Thunder Lane in Lincoln, U.S.A. is possessed. That strip of blacktop from Main Street to Adams Street is a mile owned by evil, maybe so evil that even Satan wouldn’t pick it for a vacation spot.

 And right on the northwest corner of Thunder Lane and Main sits the epicenter, the dilapidated mansion with gabled peaks and gargoyles sneering so savagely that walkers-by break their usual rhythm before speeding along, suddenly remembering that anywhere but here is better. Young kids run toward school, gamblers toward their debtors, old men turn back home to their fussing wives, and even cats take one look at that damned house and seek out the company of the nearest big dog.

Then there’s me. Why do I know so much about it? How do I stand separate from any of the rest who whisper in this damned town about the evils of Thunder Lane and that one house? Well, I’m the fool who twenty years ago bought the house next to it. A tiny thing, a ranch style house built in the 1970s and when sitting next to that looming monstrosity appeared to be nothing more than a dropping of that hulking beast rather than a living structure of its own. Up to that point, my life had been on schedule. Graduate high school. Check. College. Check. Got a degree in education, you see, and I wanted to be a history teacher. When Lincoln High School hired me on in 1991, I was stoked for the chance to shape young minds in the Midwest, and when I visited town to find a place to live, I couldn’t believe the luck that I could live so close to such a vintage looking mansion.

Nobody told me, of course, about Thunder Lane. Certainly not the real estate agent, who was probably drooling about making a commission on an otherwise unsellable house.

“Who lives next door?” I asked while that greasy scumbag showed me the one-car garage that had a cheap roof that would blow off in a storm two summers later.

“Well, that is the old Scarlet Mansion. Not sure why it’s called that, but I think one of the town’s founders built it. No one lives there, I think it’s just waiting for the historical foundation to dump some money into it to fix it up.”

“Well, I hope so, it’s a shame to see such Victorian architecture go to waste.”

“Yes, I’m sure it’ll get worked on next summer, probably just needs the right budget resolution. Politics, am I right?”

I laughed, but hell, I was twenty-two, what the hell did I know about politics. I just thought we went to vote every so often and then the right people get in. Goes to show that I was as stupid about the real world as I was the otherworldly back then.

When did I first notice things were a bit off? You sure ask a lot of questions. You aren’t planning on publishing anything on this? I don’t want the whole country thinking that Lloyd Rivers is some sort of quack.

Just some paranormal research, you say. Well, be sure to keep it that way. I could survive the embarrassment, I suppose, and folks around here wouldn’t think any less of me, that’s for sure, but I doubt the scarlet witch would approve, and she’s less forgiving than me.

The scarlet witch? Well, that’s what you’re here for, aren’t you? I mean there are others. Those god-awful twins from the other end of the block cause a ruckus from time-to-time. Then there’s that vile Mr. K. He’s a bit more outgoing than the rest, carrying his cane and wearing that ridiculous monocle. The other one I call the druid, wears a brown robe and some say he has no tongue. Boy, I could go on and on about the things I’ve seen, but the Scarlet Witch, she’s my neighbor, and I know her best. She’s boss demon in this troupe. Anything that goes down in Lincoln, goes through her first. Well, anything bad, that is. Not much good to write about here, just a lot of heartbreak and split blood.

Anyways, I didn’t notice anything was up until the twelfth night living next to the Scarlet Mansion and the witch within. That night the twins – ugly beasts those two, each about four hundred pounds and never wearing anything but ragged bibs overhauls that let the fat of their torsos spill out in grotesque roll ­- visited the witch.

About midnight, I heard them pounding on her door – the front door that faces Thunder Lane. The knocking was like thunder, and it woke me like someone cracking a ball bat against my head. I fumbled around in the dark, only reaching the window in time to see the two hulking figures lurch forward into the mansion.

2026 Writing Challenge: Write On Prompt - Eli Meets Uncle Ned

 Note: This is the second part of the prompt from Tuesday's Write On meeting. We had to write the same scene from a different Point of ...